Articolo pubblicato il 21 Dicembre 2023 da Bruno Santini
La St. Louis Film Critics ha reso noti i vincitori dell’edizione 2023 dei suoi premi annuali. A trionfare è Oppenheimer di Christopher Nolan, mentre i premi attoriali vengono equamente divisi tra Cillian Murphy (Oppenheimer), Lily Gladstone (Killers of the Flower Moon), Ryan Gosling (Barbie) e Da’Vine Joy Randolph (The Holdovers). Come miglior film straniero si conferma invece Anatomia di una Caduta. A seguire, tutti i vincitori della St. Louis Film Critics 2023.
Tutti i vincitori della St. Louis Film Critics 2023
BEST FILM
- Oppenheimer – Christopher Nolan
BEST DIRECTOR
- Christopher Nolan – Oppenheimer
BEST ACTOR
- Cillian Murphy – Oppenheimer
BEST ACTRESS
- Lily Gladstone – Killers of the Flower Moon
BEST SUPPORTING ACTOR
- Ryan Gosling – Barbie
BEST SUPPORTING ACTRESS
- Da’Vine Joy Randolph – The Holdovers
BEST ORIGINAL SCREENPLAY
- Greta Gerwig, Noah Baumbach – Barbie
BEST ADAPTED SCREENPLAY
- Christopher Nolan – Oppenheimer
BEST ANIMATED FEATURE
- Spider-Man: Across the Spider-verse – Joaquim Dos Santos, Justin K. Thompson, Kemp Powers
BEST INTERNATIONAL FEATURE
- Anatomy of a Fall – Justine Triet
BEST DOCUMENTARY (TIE)
- American Symphony – Matthew Heineman
- Still: A Michael J. Fox Movie – David Guggenheim
BEST ENSEMBLE
- The Holdovers – Alexander Payne
BEST CINEMATOGRAPHY
- Hoyte van Hoytema – Oppenheimer
BEST EDITING
- Jennifer Lame – Oppenheimer
BEST PRODUCTION DESIGN
- Sarah Greenwood, Katie Spencer – Barbie
BEST COSTUME DESIGN
- Jacqueline Durran – Barbie
BEST MUSIC SCORE
- Ludwig Göransson – Oppenheimer
BEST MUSIC SOUNDTRACK
- Barbie – Greta Gerwig
BEST VISUAL EFFECTS
- The Creator – Gareth Edwards
BEST STUNTS
- Mission: Impossible – Dead Reckoning Part One – Christopher McQuarrie
BEST ACTION MOVIE (TIE)
- Mission: Impossible – Dead Reckoning Part One – Christopher McQuarrie
- John Wick: Chapter 4 – Chad Stahelski
BEST COMEDY
- The Holdovers – Alexander Payne
BEST HORROR
- Talk to me – Danny Philippou, Michael Philippou
BEST SCENE
- Barbie – Gloria (America Ferrara)’s monologue on the impossible standards for women
